TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typography). 205TF is a type foundry that brings together the work of independent typeface designers, some of them well known, others closer to the beginning of their career, all highly talented. Each of them developing characters where a certain French spirit can be felt. 205TF is a foundry on a human scale, and beyond the distribution of their work, it supports typeface designers by making their creations available to a wider audience, allowing for greater recognition of their work.
205TF makes a choice of quality: a small number of creators, a precise selection of characters. The number is of little importance, the quality however is essential.
All of the characters are developed according to common standards (set standard, set pro and set spécial). The typefaces have – at a minimum – an extended set of characters (Latin extended) and this allows them to be used for compositions in a wide range of languages. With an Opentype format, they provide access to specific characters such as small capitals (according to the characters), different series of figures (aligned, old style, proportional and tabular), ligatures, fractions, etc.
This format allows access to specific typographic settings according to the characters. - For the group of characters – functions “All caps”, “Case sensitive punctuation”, “Tabular lining figures”, “Tabular old-style figures”, “Proportional old-style figures”, “Ligatures”, “Fractions”, “Ordinals”, “Contextual alternates”, “Localized forms”, etc.
For certain characters — “Small capitals”, “Capitals to Small Capitals”.
The presentation and interest of each function are detailed in the typeface specimens that can be downloaded for each typeface.
The groups of characters function with both MacOs and Windows platforms and have been tested for Office and Adobe applications. They can then be easily installed on the vast majority of computers and the direct transfer of a file that uses 205TF typefaces from one platform to another and from a Macintosh version of software to a Windows version of software is a process which is seamless.
For cases involving a specific and/or proprietary operating system or specific software, please contact us directly.
Minérale is a typeface designed with unusual stems, whose sides intersect. It was originally conceived as a geometrical exaggeration of the structure of traditional serif faces, where the central part of the vertical stems are thinned. Here this phenomenon is pushed to its limits: rather than a flared rectangle, the stem becomes two triangles connected at their tips, creating a clear, almost luminous zone around the central line of the letterforms.
Fairly sober in its thinnest versions, the typeface becomes more exuberant in its heavier weights: the contrast is tilted, resulting in a silhouette close to the old “Italian” typefaces, with horizontal stress.
The italics share a similar structure, but display a design of their own. Their curvy stems turn around a vertical line. Almost upright in the lighter weight (5°), the axis becomes extreme in the heaviest weight (21°).
The whole family is multiplexed: from ExtraLight to Black, in both uprights and italics, all weights share exactly the same widths and kerning tables. This way any variant can be substituted to another, without impacting textflow.
Minérale is also developed as a variable font.
Minérale Variable is the first typeface published by 205TF that explores the new potential of OpenType Font Variations. With this technology, you can choose the exact weight you need or want!
(Available with the complete family font).
Proportional Old Style Figures
Tabular Lining Figures
Tabular Old Style Figures
Variable font (roman & italic) is only joined to the complete family (Pack Total).
This standard corresponds to a set of characters that respond to the Extended Latin standard. It allows for the composition of a large majority of Western European languages. To do this, signs have been added to the standard latin alphabet, either through use of diacritic signs, or through construction of specific signs. The Extended Latin standard does not contain specific Cyrillic or Greek characters. The detail of the characters available for each typeface is presented in the typeface specimen that you can download from our website.
The list of languages in which it is possible to compose is in the specimen.
This concise typeface was originally designed for the eponymous city in Bourgogne, in 1995. Ultimately it was never used as planned for the signage in the municipal buildings.
In 2011, Damien Gautier completely overhauled this typeface to make it more lively. Its design has become simplified and stated. A number of details reveal surprising choices for this typeface that nonetheless retains its engraved origins. The numerous ligatures are a clear sign of this.
With the efficient and precious help of Roxane Gataud.
This standard corresponds to the Standard set to which are added specific signs depending on each typeface (alternative signs, stylistic signs, etc.) The detail of the available characters for each typeface is presented in the typeface specimen that you can download from our website.