TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typography). 205TF is a type foundry that brings together the work of independent typeface designers, some of them well known, others closer to the beginning of their career, all highly talented. Each of them developing characters where a certain French spirit can be felt. 205TF is a foundry on a human scale, and beyond the distribution of their work, it supports typeface designers by making their creations available to a wider audience, allowing for greater recognition of their work.
205TF makes a choice of quality: a small number of creators, a precise selection of characters. The number is of little importance, the quality however is essential.
All of the characters are developed according to common standards (set standard, set pro and set spécial). The typefaces have – at a minimum – an extended set of characters (Latin extended) and this allows them to be used for compositions in a wide range of languages. With an Opentype format, they provide access to specific characters such as small capitals (according to the characters), different series of figures (aligned, old style, proportional and tabular), ligatures, fractions, etc.
This format allows access to specific typographic settings according to the characters. - For the group of characters – functions “All caps”, “Case sensitive punctuation”, “Tabular lining figures”, “Tabular old-style figures”, “Proportional old-style figures”, “Ligatures”, “Fractions”, “Ordinals”, “Contextual alternates”, “Localized forms”, etc.
For certain characters — “Small capitals”, “Capitals to Small Capitals”.
The presentation and interest of each function are detailed in the typeface specimens that can be downloaded for each typeface.
The groups of characters function with both MacOs and Windows platforms and have been tested for Office and Adobe applications. They can then be easily installed on the vast majority of computers and the direct transfer of a file that uses 205TF typefaces from one platform to another and from a Macintosh version of software to a Windows version of software is a process which is seamless.
For cases involving a specific and/or proprietary operating system or specific software, please contact us directly.
With the Henry typeface, Matthieu Cortat provides a personal interpretation of the Deberny & Peignot foundry's Garamond, engraved by Henri Parmentier between 1914 and 1926 under the direction of Georges Peignot.
Its authors sought to recover the grace of the typefaces of Claude Garamont, while at the same time taking into account the reality of the modern paper industry, that uses wood based papers and not cloth based ones, as was the case in the 16th century. Henry is based on medium type sizes (9 to 14) of Parmentier's engraving. It is a quite slim Garalde, a little narrow, lean and slender. We feel an inspiration that is almost “Art Nouveau” in its z that leans towards the left, its winding a and J, the lower loop of its heavily curved t, the ample loop of its Q… These features are still visible in the italic with its changing rhythm and it s joyous ligatures.
Henry is a delicate typeface. Its design precise if not a little dated.
Small Caps Punctuation
Proportional Old Style Figures
Tabular Old Style Figures
This standard corresponds to the standard set to which is added a significant quantity of signs decided by the designer as a function of the typeface itself: small capitals, series of complete inferior and superior letters and numbers, titling capitals, etc. The detail of the characters available for each typeface is presented in the typeface specimen that you can download from our website.